High culture and popular culture in Far from the Madding Crowd
The fluctuation between highbrow and lowbrow literature seems to be at the heart of Thomas Hardy’s career as a novelist, torn between success and artistic uprightness as he was. The early Far from the Madding Crowd (1874) represents a case in point of such a dilemma. Indeed, the spread of serialised...
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| Pubblicato in: | URI:https://journals.openedition.org/fathom, |
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| Autore principale: | |
| Natura: | Article ou chapitre numérique |
| Lingua: | Anglais |
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FATHOM
2016
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| Accesso online: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |