‘Paint, not the thing, but the effect it produces’: The Power of Impressions in Far from the Madding Crowd
“Impression” is an eminently Hardyesque word which keeps occurring in the author’s fictional texts as well as in his personal and theoretical writings. The term, which suffers from an extensive, almost inflationary use, is related to fields such as phenomenology, psychology, cognitive sciences, art...
Enregistré dans:
| Dans: | URI:https://journals.openedition.org/fathom, |
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| Format: | Article ou chapitre numérique |
| Langue: | Anglais |
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FATHOM
2016
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| Accès en ligne: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |