Les romans du Wessex, une esthétique du regard
The novel was, in his own words, “gradually losing artistic form, with a beginning, middle and end, and becoming a spasmodic inventory of items, which has nothing to do with art.” (Hardy 1989, 309)He […] obliterates the names of the six counties, whose area he traverses in his scenes, under the gen...
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| Publicado no: | URI:https://journals.openedition.org/fathom, |
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| Autor principal: | |
| Formato: | Article ou chapitre numérique |
| Idioma: | Français |
| Publicado em: |
FATHOM
2013
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| Assuntos: | |
| Acesso em linha: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
| id |
openedition-oai:revues.org:fathom_161 |
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openedition |
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openedition-oai:revues.org:fathom_161 https://doi.org/10.4000/fathom.161 urn:doi:10.4000/fathom.161 fr https://journals.openedition.org/fathom/161 2013-10-23T02:00:00Z info:eu-repo/semantics/openAccess article info:eu-repo/semantics/article urn:handle:20.500.13089/gaha All rights reserved Les romans du Wessex, une esthétique du regard The novel was, in his own words, “gradually losing artistic form, with a beginning, middle and end, and becoming a spasmodic inventory of items, which has nothing to do with art.” (Hardy 1989, 309)He […] obliterates the names of the six counties, whose area he traverses in his scenes, under the general appellation of “Wessex” — an old word that became quite popular after the date of Far from the Madding Crowd, where he first introduced it. So far did he carry this idea of the unity of Wessex... FATHOM Association française sur les études sur Thomas Hardy info:eu-repo/semantics/reference/issn/2270-6798 URI:https://journals.openedition.org/fathom Escuret-Bertrand, Annie roman désir regard eros Wessex fenêtre microcosme macrocosme novel desire gaze Eros Wessex window microcosm macrocosm |
| collection |
OpenEdition Journal |
| language |
Français |
| format |
Article ou chapitre numérique |
| building |
0/Bibliothèque numérique/ 1/Bibliothèque numérique/OpenEdition Journals/ |
| topic |
roman désir regard eros Wessex fenêtre microcosme macrocosme novel desire gaze Eros Wessex window microcosm macrocosm |
| spellingShingle |
roman désir regard eros Wessex fenêtre microcosme macrocosme novel desire gaze Eros Wessex window microcosm macrocosm Escuret-Bertrand, Annie Les romans du Wessex, une esthétique du regard |
| description |
The novel was, in his own words, “gradually losing artistic form, with a beginning, middle and end, and becoming a spasmodic inventory of items, which has nothing to do with art.” (Hardy 1989, 309)He […] obliterates the names of the six counties, whose area he traverses in his scenes, under the general appellation of “Wessex” — an old word that became quite popular after the date of Far from the Madding Crowd, where he first introduced it. So far did he carry this idea of the unity of Wessex... |
| author |
Escuret-Bertrand, Annie |
| author_facet |
Escuret-Bertrand, Annie |
| author_sort |
Escuret-Bertrand, Annie |
| title |
Les romans du Wessex, une esthétique du regard |
| title_short |
Les romans du Wessex, une esthétique du regard |
| title_full |
Les romans du Wessex, une esthétique du regard |
| title_fullStr |
Les romans du Wessex, une esthétique du regard |
| title_full_unstemmed |
Les romans du Wessex, une esthétique du regard |
| title_sort |
les romans du wessex, une esthétique du regard |
| publisher |
FATHOM |
| publishDate |
2013 |
| container_title |
URI:https://journals.openedition.org/fathom |
| url |
https://ezproxy.univ-orleans.fr/login?url=https://doi.org/10.4000/fathom.161 https://ezproxy.univ-orleans.fr/login?url=https://journals.openedition.org/fathom/161 |
| _version_ |
1877243380829782016 |