Les romans du Wessex, une esthétique du regard
The novel was, in his own words, “gradually losing artistic form, with a beginning, middle and end, and becoming a spasmodic inventory of items, which has nothing to do with art.” (Hardy 1989, 309)He […] obliterates the names of the six counties, whose area he traverses in his scenes, under the gen...
Enregistré dans:
| Dans: | URI:https://journals.openedition.org/fathom, |
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| Auteur principal: | |
| Format: | Article ou chapitre numérique |
| Langue: | Français |
| Publié: |
FATHOM
2013
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| Accès en ligne: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |