The Footprint as Object in Thomas Hardy’s The Woodlanders (1887) and Joseph Conrad’s Almayer’s Folly (1895)
The paper looks at the significance of the footprint in Hardy’s The Woodlanders and Conrad’s Almayer’s Folly. Both texts feature a footprint (or set of footprints) made by a daughter who is forced to carry the hopes and social/imperial ambitions of her father. In both cases the empty footprint is a...
Enregistré dans:
| Dans: | URI:https://journals.openedition.org/fathom, |
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| Auteur principal: | |
| Format: | Article ou chapitre numérique |
| Langue: | Anglais |
| Publié: |
FATHOM
2019
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| Accès en ligne: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |