Disguised Subjectivity in Two Chinese Fictional Dream Narratives of the Qing
This article is an attempt to explore the emergence of subjectivity in two Qing classical short stories: while using classical patterns, they also reveal elements about the dreamers’ psychological states. The analysis shows that far from being clear-cut, the emergence of subjectivity was a non-linea...
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| Publicado no: | URI:https://journals.openedition.org/extremeorient, |
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| Autor principal: | |
| Formato: | Article ou chapitre numérique |
| Idioma: | Anglais |
| Publicado em: |
Extrême-Orient Extrême-Occident
2019
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| Acesso em linha: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
| Resumo: | This article is an attempt to explore the emergence of subjectivity in two Qing classical short stories: while using classical patterns, they also reveal elements about the dreamers’ psychological states. The analysis shows that far from being clear-cut, the emergence of subjectivity was a non-linear process—a “premodern” way of writing. This disguised way of expressing subjectivity conveyed a renewed creative investment at a time when classical literature almost reached the edge of modernity. |
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