Simon Frith, Martin Cloonan and John Williamson (eds), Made in Scotland: Studies in Popular Music
Glancing at the title Made in Scotland readers might be forgiven for imagining it was a cheeky nod towards another expression of cultural specificity in modern-day Scotland, with a potentially Irn-Bru inspired tagline (“[…] from Girders”?) reaffirming this book’s national focus as it treats contemp...
Enregistré dans:
| Dans: | URI:https://journals.openedition.org/etudesecossaises, |
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| Auteur principal: | |
| Format: | Article ou chapitre numérique |
| Langue: | Anglais |
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Études écossaises
2024
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| Accès en ligne: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
| Résumé: | Glancing at the title Made in Scotland readers might be forgiven for imagining it was a cheeky nod towards another expression of cultural specificity in modern-day Scotland, with a potentially Irn-Bru inspired tagline (“[…] from Girders”?) reaffirming this book’s national focus as it treats contemporary media-informed identities within Scottish popular culture. However, rather than a standalone monography, this broad-ranging exploration of popular music in Scotland fits into the Routledge Gl... |
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