William Daniell’s “Periplus”: Littoral Travel and Aesthetic Representation in Scotland and Asia
Among the most pervasive visual characterizations of Scotland’s shores are those produced by William Daniell for A voyage round Great Britain (1814–1825), a monumental project comprising more than three hundred aquatints. Daniell worked as a colonial artist in and around South Asia prior to taking o...
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| Xuất bản năm: | URI:https://journals.openedition.org/etudesecossaises, |
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| Tác giả chính: | |
| Định dạng: | Article ou chapitre numérique |
| Ngôn ngữ: | Anglais |
| Được phát hành: |
Études écossaises
2017
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| Những chủ đề: | |
| Truy cập trực tuyến: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
| Tóm tắt: | Among the most pervasive visual characterizations of Scotland’s shores are those produced by William Daniell for A voyage round Great Britain (1814–1825), a monumental project comprising more than three hundred aquatints. Daniell worked as a colonial artist in and around South Asia prior to taking on extensive depiction of the domestic landscape. This essay not only explores the relationship between his imagery of littoral sites in Asia and Britain, but juxtaposes Daniell’s project with poetry and prose by Sir Walter Scott and a little-known essay by Reverend William Gilpin to ascertain the artist’s commitment to both picturesque and Romantic discourse. It is demonstrated here that Daniell’s imagery of Scotland’s coastline has a good deal in common with his own published representations of sites along the Indian Ocean and South China Sea, not because of actual similarities of topography but due instead to the discursive frameworks he employed. |
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