Introduction
Fashion, the sociology of dress and the semiology of clothing have been the object of much attention since Roland Barthes’s The Fashion System (Système de la mode, 1967). In this study, the French critic argued that, in addition to being real artefacts with a functional, protective purpose, garment...
Shranjeno v:
| izdano v: | URI:https://journals.openedition.org/erea, |
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| Glavni avtor: | |
| Format: | Article ou chapitre numérique |
| Jezik: | Anglais |
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E-rea
2019
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| Online dostop: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
| Izvleček: | Fashion, the sociology of dress and the semiology of clothing have been the object of much attention since Roland Barthes’s The Fashion System (Système de la mode, 1967). In this study, the French critic argued that, in addition to being real artefacts with a functional, protective purpose, garments and vestimentary features in general are imbued with meaning and have a deeply symbolic character. They are always already constituted into a “system of signification,” a “true code,” so that the... |
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