Converging Lines: Needlework in English Literature and Visual Arts
A testament to a woman’s patience, the cross-stitch canvas illustrating this special issue of E-Rea is drawn from Dante Gabriel Rossetti’s 1868 oil painting, Il Ramoscello (Harvard Art Museums/Fogg Museum). The completed canvas was given as a gift; through its physical presence as well as symbolic...
Spremljeno u:
| Izdano u: | URI:https://journals.openedition.org/erea, |
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| Glavni autori: | , |
| Format: | Article ou chapitre numérique |
| Jezik: | Anglais |
| Izdano: |
E-rea
2018
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| Online pristup: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
| Sažetak: | A testament to a woman’s patience, the cross-stitch canvas illustrating this special issue of E-Rea is drawn from Dante Gabriel Rossetti’s 1868 oil painting, Il Ramoscello (Harvard Art Museums/Fogg Museum). The completed canvas was given as a gift; through its physical presence as well as symbolic resonance, it obliquely introduces some of the issues discussed in this volume. First, the image is not a painting but a three-dimensional object that is meant not only to replicate the original pa... |
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