Erik S. Roraback, The Philosophical Baroque: On Autopoietic Modernities
“Baroque” began its conceptual life as a negative descriptor. Most accounts derive the term from the Portuguese term for a misshapen pearl, and the term began to be used in the neoclassical period to refer to what were then seen as the ungainly excesses of European artistic production of the sevent...
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| 發表在: | URI:https://journals.openedition.org/erea, |
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| 主要作者: | |
| 格式: | Article ou chapitre numérique |
| 語言: | Anglais |
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E-rea
2018
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| 在線閱讀: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |