Erik S. Roraback, The Philosophical Baroque: On Autopoietic Modernities
“Baroque” began its conceptual life as a negative descriptor. Most accounts derive the term from the Portuguese term for a misshapen pearl, and the term began to be used in the neoclassical period to refer to what were then seen as the ungainly excesses of European artistic production of the sevent...
Enregistré dans:
| Dans: | URI:https://journals.openedition.org/erea, |
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| Auteur principal: | |
| Format: | Article ou chapitre numérique |
| Langue: | Anglais |
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E-rea
2018
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| Accès en ligne: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |