Michael Dobson and Estelle Rivier-Arnaud, Rewriting Shakespeare’s Plays For and By the Contemporary Stage
The central concern of Michael Dobson and Estelle Rivier-Arnaud’s book is the re-writings that Shakespeare’s plays inspired, or as Gérard Genette – referred to in the introduction - would have put it, on the various palimpsests that continue to enrich our bookshelves. Indeed, this volume is about l...
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| In: | URI:https://journals.openedition.org/erea, |
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| Main Author: | |
| Format: | Article ou chapitre numérique |
| Language: | Anglais |
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E-rea
2017
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| Online Access: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
| Summary: | The central concern of Michael Dobson and Estelle Rivier-Arnaud’s book is the re-writings that Shakespeare’s plays inspired, or as Gérard Genette – referred to in the introduction - would have put it, on the various palimpsests that continue to enrich our bookshelves. Indeed, this volume is about literary works – the word ‘rewriting’ gestures toward the literary field – and the editors acknowledge that a comprehensive account of Shakespeare-inspired creations would have been “an anthology in... |
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