Modern Painters: Dickens and Cézanne
The article compares the ways of looking in Dickens’ novels and in Cézanne’s art, drawing on the work of Merleau-Ponty for commentary on Cézanne, and on the commentaries on Merleau-Ponty by Lacan. It investigates the way in which Dickens, not often considered as having a visual interest, is modern i...
Đã lưu trong:
| Xuất bản năm: | URI:https://journals.openedition.org/erea, |
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| Tác giả chính: | |
| Định dạng: | Article ou chapitre numérique |
| Ngôn ngữ: | Anglais |
| Được phát hành: |
E-rea
2016
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| Những chủ đề: | |
| Truy cập trực tuyến: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
| Tóm tắt: | The article compares the ways of looking in Dickens’ novels and in Cézanne’s art, drawing on the work of Merleau-Ponty for commentary on Cézanne, and on the commentaries on Merleau-Ponty by Lacan. It investigates the way in which Dickens, not often considered as having a visual interest, is modern in modes of perception, and tries to illuminate Merleau-Ponty’s sense of embodiment, as seen in Cézanne, through illustrations and examples drawn from Dickens. |
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