“Medieval” and “Modern” Conceptions of the Colours of Light in Early Modern England and Isaac Oliver’s Portrait Miniatures
The usual distinction between ornamental and naturalistic styles is traditional when Nicholas Hilliard’s works and treatise The Art of Limning (c. 1600) are compared to Isaac Oliver’s, his pupil. However, the cultural context of the miniature court portrait in early modern England also shows two oth...
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| Pubblicato in: | URI:https://journals.openedition.org/erea, |
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| Autore principale: | |
| Natura: | Article ou chapitre numérique |
| Lingua: | Anglais |
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E-rea
2015
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| Accesso online: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |