General Introduction: “Chamelion like” England
Yee sonnes of craft bearing as many faces,As Proteus, takes among the marine places,And force your natures all the best you can,To counterfeit the grace of some great manChamelion like, who takes him in each hew,Of blacke or white, or yellow, greene, or blew,That comes him next, […].Th. Hudson. Tra...
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| Izdano u: | URI:https://journals.openedition.org/erea, |
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| Format: | Article ou chapitre numérique |
| Jezik: | Anglais |
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E-rea
2015
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| Online pristup: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
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openedition-oai:revues.org:erea_4331 |
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openedition |
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openedition-oai:revues.org:erea_4331 https://doi.org/10.4000/erea.4331 urn:doi:10.4000/erea.4331 en https://journals.openedition.org/erea/4331 2015-06-14T02:00:00Z info:eu-repo/semantics/openAccess introduction info:eu-repo/semantics/article urn:handle:20.500.13089/fv44 https://creativecommons.org/licenses/by-nc-nd/4.0/ General Introduction: “Chamelion like” England Yee sonnes of craft bearing as many faces,As Proteus, takes among the marine places,And force your natures all the best you can,To counterfeit the grace of some great manChamelion like, who takes him in each hew,Of blacke or white, or yellow, greene, or blew,That comes him next, […].Th. Hudson. Transl.(Robert Allott, Englands Parnassus, 1600, “Flatterer”, 95)Englands Parnassus is a vast compilation whose merits do not simply consist in “redirecting texts that normally circulated in manuscrip... E-rea Laboratoire d’Études et de Recherche sur le Monde Anglophone info:eu-repo/semantics/reference/issn/1638-1718 URI:https://journals.openedition.org/erea CHIARI, Sophie lumière science littérature Angleterre pré-moderne couleurs polychromie iconoclasme ombre teintures pigments maquillage light science literature early modern England colours polychromy iconoclasm shade dyes pigments makeup |
| collection |
OpenEdition Journal |
| language |
Anglais |
| format |
Article ou chapitre numérique |
| building |
0/Bibliothèque numérique/ 1/Bibliothèque numérique/OpenEdition Journals/ |
| topic |
lumière science littérature Angleterre pré-moderne couleurs polychromie iconoclasme ombre teintures pigments maquillage light science literature early modern England colours polychromy iconoclasm shade dyes pigments makeup |
| spellingShingle |
lumière science littérature Angleterre pré-moderne couleurs polychromie iconoclasme ombre teintures pigments maquillage light science literature early modern England colours polychromy iconoclasm shade dyes pigments makeup CHIARI, Sophie General Introduction: “Chamelion like” England |
| description |
Yee sonnes of craft bearing as many faces,As Proteus, takes among the marine places,And force your natures all the best you can,To counterfeit the grace of some great manChamelion like, who takes him in each hew,Of blacke or white, or yellow, greene, or blew,That comes him next, […].Th. Hudson. Transl.(Robert Allott, Englands Parnassus, 1600, “Flatterer”, 95)Englands Parnassus is a vast compilation whose merits do not simply consist in “redirecting texts that normally circulated in manuscrip... |
| author |
CHIARI, Sophie |
| author_facet |
CHIARI, Sophie |
| author_sort |
CHIARI, Sophie |
| title |
General Introduction: “Chamelion like” England |
| title_short |
General Introduction: “Chamelion like” England |
| title_full |
General Introduction: “Chamelion like” England |
| title_fullStr |
General Introduction: “Chamelion like” England |
| title_full_unstemmed |
General Introduction: “Chamelion like” England |
| title_sort |
general introduction: “chamelion like” england |
| publisher |
E-rea |
| publishDate |
2015 |
| container_title |
URI:https://journals.openedition.org/erea |
| url |
https://ezproxy.univ-orleans.fr/login?url=https://doi.org/10.4000/erea.4331 https://ezproxy.univ-orleans.fr/login?url=https://journals.openedition.org/erea/4331 |
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