“The devil looks ten times worse with a white face”: Colours in Richard Brome’s The English Moor
This paper purposes to investigate the multiple meanings of the black and white opposition which lies at the basis of the plot of Richard Brome’s The English Moor. This binary can be seen as a contrast between Englishness and otherness as the oxymoronic title may suggest. In the play, the usurer Qui...
Enregistré dans:
| Dans: | URI:https://journals.openedition.org/erea, |
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| Auteur principal: | |
| Format: | Article ou chapitre numérique |
| Langue: | Anglais |
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E-rea
2015
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| Accès en ligne: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |