Armelle Parey, Isabelle Robin and Dominique Sipière, eds. : Happy Endings and Films
Happy Endings and Films focuses on a topic that, as the selective bibliography shows, has rarely been analyzed (Richard Neupert’s The End: Narration and Closure in the Cinema is probably the most notable book on the subject). And yet, as the editors recall in their efficient introduction, assumptio...
Shranjeno v:
| izdano v: | URI:https://journals.openedition.org/erea, |
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| Glavni avtor: | |
| Format: | Article ou chapitre numérique |
| Jezik: | Anglais |
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E-rea
2012
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| Online dostop: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
| Izvleček: | Happy Endings and Films focuses on a topic that, as the selective bibliography shows, has rarely been analyzed (Richard Neupert’s The End: Narration and Closure in the Cinema is probably the most notable book on the subject). And yet, as the editors recall in their efficient introduction, assumptions about happy endings abound: they are often associated with Hollywood and generally thought to be simple, conventional and conservative, and thus ultimately suspicious and acceptable only when ir... |
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