Shifting lines in Anglophone travel writing
Some two decades ago, when travel writing was developing as a new field of research in France, the first obstacle many critics encountered was that of alighting on a precise and cohesive definition for this often-discredited genre, which appeared particularly hybrid and elusive. Jean-Didier Urbain’...
Gorde:
| Argitaratua izan da: | URI:https://journals.openedition.org/erea, |
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| Egile Nagusiak: | , |
| Formatua: | Article ou chapitre numérique |
| Hizkuntza: | Anglais |
| Argitaratua: |
E-rea
2024
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| Sarrera elektronikoa: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
| Gaia: | Some two decades ago, when travel writing was developing as a new field of research in France, the first obstacle many critics encountered was that of alighting on a precise and cohesive definition for this often-discredited genre, which appeared particularly hybrid and elusive. Jean-Didier Urbain’s definition of travel is the starting point of the reflection in the introduction to the collection Seuils et traverses edited by Jan Borm (2002). Urbain explains that even before choosing a desti... |
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