Brett Bailey: Ritualizing creative energy
Brett Bailey is probably one of the most celebrated contemporary South African theatre artists, as well as one of the most controversial, as the heated European reception of EXHIBIT B in 2012-14 strikingly showed. The visual artist and director is an habitué of the Festival de Marseille, where he c...
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| I publikationen: | URI:https://journals.openedition.org/erea, |
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| Huvudupphovsman: | |
| Materialtyp: | Article ou chapitre numérique |
| Språk: | Anglais |
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E-rea
2021
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| Länkar: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
| Sammanfattning: | Brett Bailey is probably one of the most celebrated contemporary South African theatre artists, as well as one of the most controversial, as the heated European reception of EXHIBIT B in 2012-14 strikingly showed. The visual artist and director is an habitué of the Festival de Marseille, where he came in 2014 to present MACBETH; Jan Goossens’s arrival in 2016 led to close and regular collaboration. For the Festival’s 2017 edition, Bailey’s tableau vivant SANCTUARY was staged on the lowest fl... |
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