The Impossible Temptation of Noise in Late Eighteenth-Century English Music
As Hogarth’s famous print, The Enraged Musician, makes clear, “sound” and “noise” are antithetical notions. Noise is defined negatively as a disruptive element. “It works as a deconstruction”, Paul Hegarty claims. Historically, in the Aristotelian tradition, music used to be thought of as an art bas...
Wedi'i Gadw mewn:
| Cyhoeddwyd yn: | URI:https://journals.openedition.org/episteme, |
|---|---|
| Prif Awdur: | |
| Fformat: | Article ou chapitre numérique |
| Cyhoeddwyd: |
Études Épistémè
2016
|
| Pynciau: | |
| Mynediad Ar-lein: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |