The Impossible Temptation of Noise in Late Eighteenth-Century English Music
As Hogarth’s famous print, The Enraged Musician, makes clear, “sound” and “noise” are antithetical notions. Noise is defined negatively as a disruptive element. “It works as a deconstruction”, Paul Hegarty claims. Historically, in the Aristotelian tradition, music used to be thought of as an art bas...
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| Veröffentlicht in: | URI:https://journals.openedition.org/episteme, |
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| Format: | Article ou chapitre numérique |
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Études Épistémè
2016
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| Online Zugang: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |