Du mysticisme au nationalisme religieux : les ambiguïtés de Sâmiha Ayverdi (1905-1993)
The present article questions the apparent contradictions in the work of Samiha Ayverdi (1905-1993), the novelist and disciple of Kenan Rifai (1867-1950). Her novels and poetic prose chant a universalist mystical love, giving women a special place as actresses of the mystical quest, often outside th...
Tallennettuna:
| Julkaisussa: | URI:https://journals.openedition.org/ejts, |
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| Päätekijä: | |
| Aineistotyyppi: | Article ou chapitre numérique |
| Kieli: | Français |
| Julkaistu: |
European journal of Turkish studies
2017
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| Aiheet: | |
| Linkit: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
| Yhteenveto: | The present article questions the apparent contradictions in the work of Samiha Ayverdi (1905-1993), the novelist and disciple of Kenan Rifai (1867-1950). Her novels and poetic prose chant a universalist mystical love, giving women a special place as actresses of the mystical quest, often outside the norms of the conservative bourgeoisie, as in the novel Son Menzil [The Final Stage, 1943], studied here. However, it is possible to speak of a break in Ayverdi’s intellectual journey from the moment she succeeded Rifai as head of the Istanbul branch of the Rifaiyye, which had been reformed into a cultural circle. Her literary writings gave way to autobiographical texts and columns that promoted religious nationalism with strong xenophobic, anti-Semitic and anti-communist tones. These can be read as an attempt at counter-history celebrating Ottoman history and culture in response to its detractors in the Kemalist camp and the West. |
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