Re-creating history and recreating publics: the success and failure of recent Ottoman costume dramas in Turkish media.
The popular Ottoman costume drama Magnificent Century [Muhteşem Yüzyıl] was controversial from the outset, with domestic (Turkish) detractors suggesting that it falsified history and mocked Ottoman heritage. Noting the different fates of many Ottoman-era shows that followed Century, this paper exami...
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| Pubblicato in: | URI:https://journals.openedition.org/ejts, |
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| Autore principale: | |
| Natura: | Article ou chapitre numérique |
| Lingua: | Anglais |
| Pubblicazione: |
European journal of Turkish studies
2014
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| Soggetti: | |
| Accesso online: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
| Riassunto: | The popular Ottoman costume drama Magnificent Century [Muhteşem Yüzyıl] was controversial from the outset, with domestic (Turkish) detractors suggesting that it falsified history and mocked Ottoman heritage. Noting the different fates of many Ottoman-era shows that followed Century, this paper examines the success or failure of such projects through a three-part discussion. First, it turns to literature focusing on the renewed interest in Ottoman heritage in Turkey, touching on how this trend arose and how it relates to politics. Next, it employs Svetlana Boym’s distinction between reflective and restorative nostalgia to highlight two markedly different approaches to the past that exist in the Turkish milieu. Finally, it discusses how these approaches relate to media representations of the Ottomans, suggesting that reflective nostalgia has a better chance of engaging a public in the TV setting, and that, ultimately, the two nostalgic approaches may engage two very different publics. |
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