“Though Hermes never taught thee”: The Anti-Patriarchal Tendency of Charles Brockden Brown’s Mercurial Outcast Carwin, the Biloquist
This article traces the allusions to the utopian cultural schemas of alchemy and hermetic philosophy in Charles Brockden Brown’s Wieland and “Memoirs of Carwin the Biloquist” in order to show that the mysterious anti-hero Carwin does not have to be cast in the role of gothic villain but instead can...
Guardado en:
| Publicado en: | URI:https://journals.openedition.org/ejas, |
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| Autor principal: | |
| Formato: | Article ou chapitre numérique |
| Lenguaje: | Anglais |
| Publicado: |
European journal of American studies
2010
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| Acceso en línea: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
| Sumario: | This article traces the allusions to the utopian cultural schemas of alchemy and hermetic philosophy in Charles Brockden Brown’s Wieland and “Memoirs of Carwin the Biloquist” in order to show that the mysterious anti-hero Carwin does not have to be cast in the role of gothic villain but instead can play the part of marginalised utopian idealist, whose dissident presence in the novel reveals that the seemingly enlightened community of Mettingen is in fact reliant on old-world patriarchal ideology to ensure its stability. |
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