Were It a New-Made World: Hawthorne, Melville and the Unmasking of America
Utilizing Ernest Gellner and Benedict Anderson’s definition of “nationalism,” this article concerns American nationalism and aesthetics and argues that Hawthorne and Melville were among the first American imaginative writers to challenge the myth of American Exceptionalism in terms of their aestheti...
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| In: | URI:https://journals.openedition.org/ejas, |
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| Format: | Article ou chapitre numérique |
| Language: | Anglais |
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European journal of American studies
2010
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| Subjects: | |
| Online Access: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
| Summary: | Utilizing Ernest Gellner and Benedict Anderson’s definition of “nationalism,” this article concerns American nationalism and aesthetics and argues that Hawthorne and Melville were among the first American imaginative writers to challenge the myth of American Exceptionalism in terms of their aesthetic operations, insofar as Hawthorne’s sense of ambiguity and Melville’s sense of multiple perspectives challenges the validity of any single monological narrative of national identity. The article further places this argument within the context of modern and contemporary American literature, with particular references to Flannery O’Connor and Cormac McCarthy, whose most recent novel, The Road, was released on film in the Fall of 2009. |
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