All Work or No Play: Key Themes in the History of the American Stage Actor as Worker
1. IntroductionWhen stage actors in the United States walked off the job in the summer of 1919 in protest at the persistent refusal of the major theatrical producers to recognize their union, most commentators were unwilling to take the strike seriously, preferring instead to exploit the moment for...
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| Pubblicato in: | URI:https://journals.openedition.org/ejas, |
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| Autore principale: | |
| Natura: | Article ou chapitre numérique |
| Lingua: | Anglais |
| Pubblicazione: |
European journal of American studies
2008
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| Accesso online: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
| Riassunto: | 1. IntroductionWhen stage actors in the United States walked off the job in the summer of 1919 in protest at the persistent refusal of the major theatrical producers to recognize their union, most commentators were unwilling to take the strike seriously, preferring instead to exploit the moment for cheap laughs. “Perhaps we soon shall see . . . [actor] DeWolf Hopper . . . in front of some Broadway theater, banner on shoulder, aided and supported by the dapper but militant [musical-comedy st... |
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