John Powers, Technology and the Making of Experimental Film Culture
In the evolving discourse on experimental cinema, often dominated by analog techniques and aesthetic, John Powers’ groundbreaking study redirects our attention to the technological innovations that avant-garde filmmakers harnessed to reshape cinema. Powers not only fills a crucial gap in film schol...
محفوظ في:
| الحاوية / القاعدة: | URI:https://journals.openedition.org/ejas, |
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| المؤلف الرئيسي: | |
| التنسيق: | Article ou chapitre numérique |
| اللغة: | Anglais |
| منشور في: |
European journal of American studies
2025
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| الوصول للمادة أونلاين: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
| الملخص: | In the evolving discourse on experimental cinema, often dominated by analog techniques and aesthetic, John Powers’ groundbreaking study redirects our attention to the technological innovations that avant-garde filmmakers harnessed to reshape cinema. Powers not only fills a crucial gap in film scholarship, but through examining how filmmakers from the late 1950s to the late 1980s adapted emerging consumer and professional technologies, like the Bolex H-16 camera, Tri-X reversal film, and opti... |
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