Introduction: Ghanaian and Indigenous American Literatures in Conversation
When Roland Barthes declares the death of the author, he states that “writing is the destruction of every voice, of every point of origin” (142). The text is “multi-dimensional,” a cacophony of voices, a moment where other previous writings meet, combine, get playfully reimagined (146). Once we all...
שמור ב:
| הוצא לאור ב: | URI:https://journals.openedition.org/ejas, |
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| Auteurs principaux: | , |
| פורמט: | Article ou chapitre numérique |
| שפה: | Anglais |
| יצא לאור: |
European journal of American studies
2025
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| גישה מקוונת: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
| סיכום: | When Roland Barthes declares the death of the author, he states that “writing is the destruction of every voice, of every point of origin” (142). The text is “multi-dimensional,” a cacophony of voices, a moment where other previous writings meet, combine, get playfully reimagined (146). Once we allow for the futility of attempting to uncover original intention, the perfect and unified meaning lent power by the transcendental Author, then no reading can be “correct” and there can only ever be... |
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