Funny Women. Perspectives on Women in/and the Comedy Scene: Introduction
While the origins of this project go back to 2021, causing it to be marked and delayed, like so many others, by the COVID-19 pandemic, it also enters the scene in the company of an ever-growing body of scholarship on women and humor. Not least, it arrives on the heels of the year that saw both Gret...
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| Veröffentlicht in: | URI:https://journals.openedition.org/ejas, |
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| 1. Verfasser: | |
| Format: | Article ou chapitre numérique |
| Sprache: | Anglais |
| Veröffentlicht: |
European journal of American studies
2024
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| Online Zugang: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
| Zusammenfassung: | While the origins of this project go back to 2021, causing it to be marked and delayed, like so many others, by the COVID-19 pandemic, it also enters the scene in the company of an ever-growing body of scholarship on women and humor. Not least, it arrives on the heels of the year that saw both Greta Gerwig’s Barbie—in which a funny woman (Margot Robbie) is arguably outshined by a funny man (Ryan Gosling)—and Yorgos Lanthimos’s Poor Things—in which the antics of a delectable bad boy (Mark Ruf... |
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