Introduction
This special issue will examine the concept of art intermediation in the United States in the post-World War II period. By art intermediation we mean the study of the confluence between artists, artworks and art projects, in various guises, with spaces, institutions and contexts which do not necess...
Uloženo v:
| Vydáno v: | URI:https://journals.openedition.org/ejas, |
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| Hlavní autoři: | , |
| Médium: | Article ou chapitre numérique |
| Jazyk: | Anglais |
| Vydáno: |
European journal of American studies
2023
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| On-line přístup: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
| Shrnutí: | This special issue will examine the concept of art intermediation in the United States in the post-World War II period. By art intermediation we mean the study of the confluence between artists, artworks and art projects, in various guises, with spaces, institutions and contexts which do not necessarily originate in the art world. Intermediation is thus a concept that is mobilized to elucidate the ways in which entities which do not initially have a germane interest or “business” with the ar... |
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