“Boring Photography”: American New Topographics, Socialist Boredom, and Post-Soviet Deadpan Photography
This article looks at the exhibition New Landscape (2018), which was the first full-scale attempt to reflect on the popularity of “deadpan” photography in Russia in the first two decades of the twenty-first century. The show was partly modeled on the American exhibition New Topographics (1975). I lo...
Guardat en:
| Publicat a: | URI:https://journals.openedition.org/ejas, |
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| Autor principal: | |
| Format: | Article ou chapitre numérique |
| Idioma: | Anglais |
| Publicat: |
European journal of American studies
2023
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| Accés en línia: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |