Eric Weisbard, Songbooks: The Literature of American Popular Music – EXEMPLE OPENEDITION NOT TO BE PUBLISHED
American popular music compasses a vast history that is deeply rooted to the everchanging nature of trends and culture through race, gender, and capitalism. Early evidence of “popular” music can be found in William Billings’ Hymns, Stephen Foster’s parlor songs, and blackface minstrelsy and in the...
שמור ב:
| הוצא לאור ב: | URI:https://journals.openedition.org/ejas, |
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| מחבר ראשי: | |
| פורמט: | Article ou chapitre numérique |
| שפה: | Anglais |
| יצא לאור: |
European journal of American studies
2022
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| גישה מקוונת: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
| סיכום: | American popular music compasses a vast history that is deeply rooted to the everchanging nature of trends and culture through race, gender, and capitalism. Early evidence of “popular” music can be found in William Billings’ Hymns, Stephen Foster’s parlor songs, and blackface minstrelsy and in the development of the music publishing center “Tin Pan Alley” that was responsible for publishing “sentimental” songs. Popular musical genres like ragtime, jazz, and swing become more prominent after ... |
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