“Some Unholy Alloy”: Neoliberalism, Digital Modernity, and the Mechanics of Globalized Capital in Cormac McCarthy’s The Counselor
This article proposes a reading of The Counselor (2013) as an extrapolation of the frontier ethic animating much of Cormac McCarthy’s earlier writing. I will propose that echoes of Blood Meridian (1985), which presented the duality of barbarism and capital, are audible and perpetuated under digital...
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| Udgivet i: | URI:https://journals.openedition.org/ejas, |
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| Format: | Article ou chapitre numérique |
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European journal of American studies
2017
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| Online adgang: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
| Summary: | This article proposes a reading of The Counselor (2013) as an extrapolation of the frontier ethic animating much of Cormac McCarthy’s earlier writing. I will propose that echoes of Blood Meridian (1985), which presented the duality of barbarism and capital, are audible and perpetuated under digital capitalism, a condition encompassing the expansion of increasingly impersonal and anonymized capital under neoliberal socio-economics, empowered by digital globalization. Thus, the screenplay extends classic McCarthian themes, while expanding the remit of critique to class relations in contemporary cross-border, and global consumer economies. The subversive appetites of Western consumerism—focused around commodity fetishism and narcotics—symbolized by characters like Westray, Reiner, and Malkina, render a distinctly modern tragedy enabling a critique of how (and whether) it is possible to represent and oppose such a system of increasing ephemerality and correlative persuasion. |
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