Strike a Pose, Forever: The Legacy of Vogue and its Re-contextualization in Contemporary Camp Performances
Born from the subcultural nightlife of the 1960s New York, vogue has been in symbiosis with the gay Latino and African American ballroom scene. Due to its popularization in the 1990s, mainly through Jennie Livingston’s Paris Is Burning (1990) and Madonna’s “Vogue” (1990), the practice of voguing and...
Enregistré dans:
| Dans: | URI:https://journals.openedition.org/ejas, |
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| Format: | Article ou chapitre numérique |
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European journal of American studies
2017
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| Accès en ligne: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |