Challenging “La Vie Bohème”: Community, Subculture, and Queer Temporality in Rent
Since the 1980s, American film musicals have been increasingly concerned with subjectivities that escape heteronormative categorizations, asserting their gender through a performance that gestures to a major fluidity between gender positions. Rent (Chris Columbus, 2005), adapted from the 1996 cult s...
Enregistré dans:
| Dans: | URI:https://journals.openedition.org/ejas, |
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| Format: | Article ou chapitre numérique |
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European journal of American studies
2017
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| Accès en ligne: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |