Karin Kukkonen, Contemporary Comics Storytelling
Having matured through at least a century of development—frequently stunted, but not decimated, by the quality-destroying devils of pop commercialization and catering to immature audiences—and having hopefully by now overcome the grand, and perhaps totally gratuitous debate whether they are “litera...
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| 出版年: | URI:https://journals.openedition.org/ejas, |
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| 第一著者: | |
| フォーマット: | Article ou chapitre numérique |
| 出版事項: |
European journal of American studies
2022
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| オンライン･アクセス: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
| 要約: | Having matured through at least a century of development—frequently stunted, but not decimated, by the quality-destroying devils of pop commercialization and catering to immature audiences—and having hopefully by now overcome the grand, and perhaps totally gratuitous debate whether they are “literature” or not (Meskin), comics, a.k.a. “sequential art” that usually takes the form of an “autographic” text-and-image “hybrid” (Meskin 231, 234), are finally garnering the scholarly and critical at... |
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