Too Far Gone: The Psychological Games of Cormac McCarthy’s All the Pretty Horses
This article uses Jacques Lacan’s reading of the Freudian fort-dagame to analyze that most American of cultural constructs, the cowboy, at the time of that figure’s fading from the American landscape: the immediate postwar years. With John Grady Cole, the protagonist of All the Pretty Horses (1992)...
Enregistré dans:
| Dans: | URI:https://journals.openedition.org/ejas, |
|---|---|
| Auteur principal: | |
| Format: | Article ou chapitre numérique |
| Publié: |
European journal of American studies
2016
|
| Sujets: | |
| Accès en ligne: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |