Contradictory Depictions of the New Woman: Reading Edith Wharton’s The Age of Innocence as a Dialogic Novel
Critical debate pertaining to the themes of gender and marriage in Edith Wharton’s The Age of Innocence (1920) has often focused on May and Ellen as the representation of two contrasting images of female identity: “angelic” and “monstrous” respectively. Drawing on Mikhail Bakhtin’s concept of dialog...
Enregistré dans:
| Dans: | URI:https://journals.openedition.org/ejas, |
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| Format: | Article ou chapitre numérique |
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European journal of American studies
2016
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| Accès en ligne: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |