Space Over Time: The Urban Space in William Gibson’s Techno-thriller Novels
In Gibson’s fiction, to see our souls, look at our cities.Lisa Zeidner1. IntroductionThis article will examine ways in which big cities are envisioned in William Gibson’s three techno-thriller/speculative noir novels: Pattern Recognition (2003), Spook Country (2007)and Zero History (2010), frequent...
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| Publicado no: | URI:https://journals.openedition.org/ejas, |
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| Autor principal: | |
| Formato: | Article ou chapitre numérique |
| Publicado em: |
European journal of American studies
2015
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| Assuntos: | |
| Acesso em linha: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
| Resumo: | In Gibson’s fiction, to see our souls, look at our cities.Lisa Zeidner1. IntroductionThis article will examine ways in which big cities are envisioned in William Gibson’s three techno-thriller/speculative noir novels: Pattern Recognition (2003), Spook Country (2007)and Zero History (2010), frequently referred to as Blue Ant trilogy, after the name of the fictional advertising agency whose founder, Hubertus Bigend, plays a pivotal role in the books. More specifically, the functions of the urb... |
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