Daniel Morris, Lyric Encounters: Essays on American Poetry from Lazarus and Frost to Ortiz Cofer and Alexie
In nine studies of individual poems that are implicitly or explicitly dialogical, Daniel Morris sets out to read lyricism as an interpersonal, communicative trope beyond what critics have established as the fundamentally “monological nature” of lyric poetry (1). Citing Helen Vendler as a case in po...
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| Опубликовано в: : | URI:https://journals.openedition.org/ejas, |
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| Главный автор: | |
| Формат: | Article ou chapitre numérique |
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European journal of American studies
2022
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| Online-ссылка: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
| Итог: | In nine studies of individual poems that are implicitly or explicitly dialogical, Daniel Morris sets out to read lyricism as an interpersonal, communicative trope beyond what critics have established as the fundamentally “monological nature” of lyric poetry (1). Citing Helen Vendler as a case in point, Morris argues that critics who read lyricism as a trope of expression of private feelings posit a condition of empathy and/or implied identity between the writer and the reader that, Daniel Mo... |
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