The Dark Knight’s Dystopian Vision: Batman, Risk, and American National Identity
This essay argues that Frank Miller’s Batman: The Dark Knight Returns (1986) and Batman: The Dark Knight Strikes Again (2001-02) are grounded in a specific type of anticipatory consciousness that we read as risk consciousness. With their sustained and systematic confrontation of risk discourses, the...
Salvato in:
| Pubblicato in: | URI:https://journals.openedition.org/ejas, |
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| Autori principali: | , |
| Natura: | Article ou chapitre numérique |
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European journal of American studies
2015
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| Soggetti: | |
| Accesso online: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |