The Dark Knight’s Dystopian Vision: Batman, Risk, and American National Identity
This essay argues that Frank Miller’s Batman: The Dark Knight Returns (1986) and Batman: The Dark Knight Strikes Again (2001-02) are grounded in a specific type of anticipatory consciousness that we read as risk consciousness. With their sustained and systematic confrontation of risk discourses, the...
Enregistré dans:
| Dans: | URI:https://journals.openedition.org/ejas, |
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| Auteurs principaux: | , |
| Format: | Article ou chapitre numérique |
| Publié: |
European journal of American studies
2015
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| Sujets: | |
| Accès en ligne: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |