Down the River, Out to Sea: Mobility, Immobility, and Creole Identity in New Orleans Regionalist Fiction (1880-1910)
This essay examines the meaning of mobility in New Orleans regionalist fiction, focusing on Creoles of Color, including Honoré, f.m.c. (free man of color) and Palmyre in George Washington Cable’s The Grandissimes (1880), the ambiguously raced Mariequita in Kate Chopin’s The Awakening (1899), and Vic...
Enregistré dans:
| Dans: | URI:https://journals.openedition.org/ejas, |
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| Format: | Article ou chapitre numérique |
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European journal of American studies
2015
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| Accès en ligne: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |