The End of the World as We Know It. For a Postcolonial Investigation of the Meaning(s) of Environmental Catastrophe in Sci-Fi Films
This article explores fantasies behind ideas of disaster in terms of a regeneration of human society through or against a catastrophe generated by a non-human entity. I will investigate two products of mass visual culture, Annihilation by Alex Garland (2018), and Arrival by Denis Villeneuve (2016)....
Enregistré dans:
| Dans: | URI:https://journals.openedition.org/eces, |
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| Auteur principal: | |
| Format: | Article ou chapitre numérique |
| Langue: | Anglais |
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e-cadernos CES
2020
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| Accès en ligne: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |