Introduction
The camera is like a magic lantern that we embrace to make our dreams come true. It is the tool we use to reclaim our existence, memory, and humanity.Mai Masri (Palestinian movie maker), 2008 In 2011 we organized a cinema and debate cycle entitled ‘Palestinian Women and Cinema’ in Lisbon and Coimbr...
Tallennettuna:
| Julkaisussa: | URI:https://journals.openedition.org/eces, |
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| Päätekijät: | , |
| Aineistotyyppi: | Article ou chapitre numérique |
| Kieli: | Anglais |
| Julkaistu: |
e-cadernos CES
2015
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| Linkit: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
| Yhteenveto: | The camera is like a magic lantern that we embrace to make our dreams come true. It is the tool we use to reclaim our existence, memory, and humanity.Mai Masri (Palestinian movie maker), 2008 In 2011 we organized a cinema and debate cycle entitled ‘Palestinian Women and Cinema’ in Lisbon and Coimbra, Portugal. We wanted to bring to the public a cinematography that is practically unknown, but mostly we were interested in promoting a discussion about cinema, feminism and Palestine.This initiat... |
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