The erasure of ‘Tibet’ from the Kathmandu International Mountain Film Festival
This year’s Kathmandu International Mountain Film Festival (KIMFF) – Nepal’s longest-running and largest film festival – held between 28 May and 1 June 2025, boasted the themes ‘Fractured Voices’ and ‘Reclaiming Narratives’. Yet one particular sequence stood in stark contrast to these themes: the X...
সংরক্ষণ করুন:
| প্রকাশিত: | URI:https://journals.openedition.org/ebhr, |
|---|---|
| প্রধান লেখক: | |
| বিন্যাস: | Article ou chapitre numérique |
| ভাষা: | Anglais |
| প্রকাশিত: |
European Bulletin of Himalayan Research
2025
|
| অনলাইন ব্যবহার করুন: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
| সংক্ষিপ্ত: | This year’s Kathmandu International Mountain Film Festival (KIMFF) – Nepal’s longest-running and largest film festival – held between 28 May and 1 June 2025, boasted the themes ‘Fractured Voices’ and ‘Reclaiming Narratives’. Yet one particular sequence stood in stark contrast to these themes: the Xizang Panorama, a curated collection of Chinese state-aligned films about Tibet (referred to in China as Xizang). Since its launch in the year 2000, the KIMFF has positioned itself as a platform fo... |
|---|