‘So Proud of our Dead Soldiers’: of Ghosts and men in Jacob’s Room (1922) and Atonement (2001)
Virginia Woolf’s composition of Jacob Flanders from a diversity of angles and her ironic perspective at the “absent” presence of a banal, inconsequential, narcissistic young man proclaim a lifelong refusal to contribute to the fallacies of myth making. Mourning their sacrifice, she declined to eulog...
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| Veröffentlicht in: | URI:https://journals.openedition.org/ebc, |
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| Format: | Article ou chapitre numérique |
| Sprache: | Anglais |
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Études britanniques contemporaines
2019
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| Online Zugang: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |