‘So Proud of our Dead Soldiers’: of Ghosts and men in Jacob’s Room (1922) and Atonement (2001)
Virginia Woolf’s composition of Jacob Flanders from a diversity of angles and her ironic perspective at the “absent” presence of a banal, inconsequential, narcissistic young man proclaim a lifelong refusal to contribute to the fallacies of myth making. Mourning their sacrifice, she declined to eulog...
Enregistré dans:
| Dans: | URI:https://journals.openedition.org/ebc, |
|---|---|
| Auteur principal: | |
| Format: | Article ou chapitre numérique |
| Langue: | Anglais |
| Publié: |
Études britanniques contemporaines
2019
|
| Accès en ligne: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |