David Lloyd, Beckett’s Thing: Painting and Theatre
In Beckett’s Thing: Theatre and Painting (2016), David Lloyd sheds new light on Samuel Beckett’s aesthetic ties to painting, which the writer himself describes in his essays about art, reconsidering the relationship between the subject behind representation and the object of representation. Startin...
में बचाया:
| में प्रकाशित: | URI:https://journals.openedition.org/ebc, |
|---|---|
| मुख्य लेखक: | |
| स्वरूप: | Article ou chapitre numérique |
| भाषा: | Anglais |
| प्रकाशित: |
Études britanniques contemporaines
2019
|
| ऑनलाइन पहुंच: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
| id |
openedition-oai:revues.org:ebc_7053 |
|---|---|
| record_format |
openedition |
| spelling |
openedition-oai:revues.org:ebc_7053 https://doi.org/10.4000/ebc.7053 urn:doi:10.4000/ebc.7053 en https://journals.openedition.org/ebc/7053 2019-04-11T02:00:00Z info:eu-repo/semantics/openAccess review info:eu-repo/semantics/review urn:handle:20.500.13089/fef6 https://creativecommons.org/licenses/by-nc-nd/4.0/ David Lloyd, Beckett’s Thing: Painting and Theatre In Beckett’s Thing: Theatre and Painting (2016), David Lloyd sheds new light on Samuel Beckett’s aesthetic ties to painting, which the writer himself describes in his essays about art, reconsidering the relationship between the subject behind representation and the object of representation. Starting from the premise that the object won’t be laid bare as long as the subject’s possessive gaze and instrumental way to represent it prevails, Lloyd does away with the consensual and somewhat simpli... Études britanniques contemporaines Presses universitaires de la Méditerranée info:eu-repo/semantics/reference/issn/2271-5444 info:eu-repo/semantics/reference/issn/1168-4917 URI:https://journals.openedition.org/ebc Bénard, Julie |
| collection |
OpenEdition Journal |
| language |
Anglais |
| format |
Article ou chapitre numérique |
| building |
0/Bibliothèque numérique/ 1/Bibliothèque numérique/OpenEdition Journals/ |
| description |
In Beckett’s Thing: Theatre and Painting (2016), David Lloyd sheds new light on Samuel Beckett’s aesthetic ties to painting, which the writer himself describes in his essays about art, reconsidering the relationship between the subject behind representation and the object of representation. Starting from the premise that the object won’t be laid bare as long as the subject’s possessive gaze and instrumental way to represent it prevails, Lloyd does away with the consensual and somewhat simpli... |
| author |
Bénard, Julie |
| spellingShingle |
Bénard, Julie David Lloyd, Beckett’s Thing: Painting and Theatre |
| author_facet |
Bénard, Julie |
| author_sort |
Bénard, Julie |
| title |
David Lloyd, Beckett’s Thing: Painting and Theatre |
| title_short |
David Lloyd, Beckett’s Thing: Painting and Theatre |
| title_full |
David Lloyd, Beckett’s Thing: Painting and Theatre |
| title_fullStr |
David Lloyd, Beckett’s Thing: Painting and Theatre |
| title_full_unstemmed |
David Lloyd, Beckett’s Thing: Painting and Theatre |
| title_sort |
david lloyd, beckett’s thing: painting and theatre |
| publisher |
Études britanniques contemporaines |
| publishDate |
2019 |
| container_title |
URI:https://journals.openedition.org/ebc |
| url |
https://ezproxy.univ-orleans.fr/login?url=https://doi.org/10.4000/ebc.7053 https://ezproxy.univ-orleans.fr/login?url=https://journals.openedition.org/ebc/7053 |
| _version_ |
1877241652945354752 |