Samuel Beckett’s Theatre: from “things” to “The Thing”
When one thinks of the stage in Beckett’s plays, one tends to see it as empty or in the process of becoming so. Indeed, the things, that is, to start with, the objects which are set up onstage and keep the characters busy, appear as remains, traces of what they could or might have been. They are the...
Enregistré dans:
| Dans: | URI:https://journals.openedition.org/ebc, |
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| Auteur principal: | |
| Format: | Article ou chapitre numérique |
| Langue: | Anglais |
| Publié: |
Études britanniques contemporaines
2019
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| Accès en ligne: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |